Writing and Drawing in Conversation
As a self-confessed introvert, I’ve made my peace with the fact that I do my best thinking when I'm by myself
Hello Friends
Last night I gave a presentation at the Pier Arts Centre in Stromness, which I’ll share with you in the coming weeks. I was delighted to see a full house! Thank you so much to everyone who turned out, and for the fascinating questions that came up afterwards. As an artist who also writes, one question came up which people often ask me: “How does your writing practice relate to your visual art practice?”
As a self-confessed introvert, I’ve long since made my peace with the fact that I do my best thinking when I am off somewhere by myself rather than within the cut and thrust of conversation. But I do love how other people’s ideas and questions spark new thoughts, open new questions, suggest new avenues, sending ripples out that go on long after the conversation has ended. So I’m coming back to this question this morning.
Because I often draw and write with basically the same tools – pen and paper. Both writing and drawing this way involve accumulating thousands of small marks; I begin a lot of my writing freehand, in big notebooks, in a scrawling looping longhand script and many of my drawings emerge as dense accumulations of lines, circles, loops.
Here’s a short video I made last year that recorded the process of drawing ‘Squall’. Physically, it’s much the same as writing.
ATTENTION AND WRITING
Writing invites the mind follow a line to its end, keeps it focussed on shaping a single thought or narrative. In the act of writing the mind chases the moving pen, or the fingers as they fly over the keyboard. When I’m writing I notice that I often feel resistance, distraction, boredom, confusion and I have to gently draw the mind back, again and again and again, to the subject at hand. I’m writing to work something out, to find a connection, to record a place or an event, to understand something that’s puzzling me. Writing is deliberative.
When I sit down to start writing I find there’s often a tougher layer of resistance to break through than with drawing. It’s just as absorbing once I get going, but I can’t maintain the concentration on writing for quite as long as I can when drawing. It’s more mentally tiring somehow.
DRAWING ATTENTION
Drawing is more open, more physical and rhythmical. It involves materials that respond and interact with each other in different and sometimes unpredictable ways. There’s more space in the process. Sometimes it’s a very long process indeed and the whole thing becomes as much about recording time’s passage through the marks left by my repeated movements, as about representing anything visual. Drawing is contemplative.
Drawing is a more porous container for thought than writing. It’s perhaps more holistic. It could be to do with the different flavours of left brain and right brain thought, an idea that makes me want to revisit Ian McGilchrist’s magisterial study on this The Master and His Emissary soon. I can often listen to music or audiobooks when I’m drawing, but never when I’m writing. For writing I need silence. I think that reveals something about the difference between the two processes.
There’s also something comforting about drawing. I’ve drawn regularly since childhood, and I wrote about the space it offered me in my book The Clearing. The South African artist William Kentridge observed this too. When his daughter became seriously ill he found that ‘However terrible I was feeling, after two hours in the studio working there would be a kind of calm. It had to do with the rhythm of physically moving or walking, or making, of dealing with materials, of that conversation between yourself and the object that’s being made on the sheet of paper, and it felt…like a physical comfort’
Writing and drawing are in conversation with each other. That conversation, like the one I shared with everyone that came along last night, opens up new ideas, curiosities and creative possibilities.
And if you would like to continue this conversation, do reply or leave a comment. I’d love to hear from you.
Until next week!
PS ‘Squall’ is available for sale directly from my studio, along with some other drawings. You can view all here:
I got the audiobook so I can listen while raking leaves and walking.
I meant to say that I am a very amateur drawer (think stick figures) but I find it sooooo relaxing and absorbing. Perhaps because, unlike with writing, nothing is at stake for me. But as you say, the processes are so different, drawing non-linear and more holistic.
The creative hard-wiring of my peculiar brain. I believe that it's related to my PTSD condition, which is hypervigilant and used to overstimulation. Music creates an enhansed cognitive pathway, rather than (perhaps for you) an emotive one. Cognition is the key, as my mind makes better word associations while listening to soft music.