Well! I’ve just listened to Dvorak’s Mass and that’s going to sound fantastic in your Cathedral. A fitting setting for the collective care you’re all putting into its preparation.
It's a wonderful piece - deceptively simple to begin with, and then he takes you off on some ear-bending, slip-sliding key changes that are quite a challenge to get right! Somewhere in there we found the famously discordant "Tristan" chord last week, apparently first used by Wagner to open Tristan and Isolde.
Wonderful! So true. The piece in progress on the table immediately felt like hard rain on the sea...I could hear and feel it... remembering what it's like to be below the surface ...thanks for sharing.
The work in progress appears to me as a small water fall ledge in a stream during a spring shower. The stream, the falls, and the falling rain all voices in a fugue
Well! I’ve just listened to Dvorak’s Mass and that’s going to sound fantastic in your Cathedral. A fitting setting for the collective care you’re all putting into its preparation.
It's a wonderful piece - deceptively simple to begin with, and then he takes you off on some ear-bending, slip-sliding key changes that are quite a challenge to get right! Somewhere in there we found the famously discordant "Tristan" chord last week, apparently first used by Wagner to open Tristan and Isolde.
Maybe I wasn’t listening loud enough to hear that. I’ll turn it up next time!
I wouldn't spot it - better ears than mine did!
Wonderful! So true. The piece in progress on the table immediately felt like hard rain on the sea...I could hear and feel it... remembering what it's like to be below the surface ...thanks for sharing.
Well, I must be on the right track then! Thank you Roberta!
The work in progress appears to me as a small water fall ledge in a stream during a spring shower. The stream, the falls, and the falling rain all voices in a fugue